"a delicate yet often complex sense of beauty" - Musicworks
"a delicate yet often complex sense of beauty" - Musicworks
"I hope you ask John Oliver to write more trio work for you. His cycle was stunning!" - William Aide, pianist, on recent recording of Eternity Gaze for erhu, piano, and guitar by PEP. (See Recordings)
of music for orchestra, chamber ensembles, opera, and electroacoustic media. Oliver’s music embraces a range of possibilities, resonating the past, and forging new associations that reflect our time and place.
I have started a page on Patreon.com that I am calling the Commissioning Collective. Please drop by. The idea is for my fans and supporters to contribute monthly amounts you can afford to enable me to write more music more often, when the opportunity or inspiration arises. In return, I'll have fun providing you with intimate videos of me improvising or developing new material in my studio, as well as discounts on recordings, scores, and other stuff, and you also get to message on the private, members-only Patreon message feed. Drop by and have a look at https://www.patreon.com/johnoliver
My new CD is out. Listen now and download on bandcamp where I get the best share of revenue. This is a collection of pieces based on granulating and remixing older orchestral and instrumental pieces, as well as some pure electroacoustic music creation: an evocative collection of mostly shorter works that are sometimes cinematic, reflective, satirical, meditative… Enjoy!
I finally have my own profile on Spotify. I used to be lumped in with the comedian, conductor, and country singer! Imagine this: my picture and biography; top track Pavane op.50 by the Boston-area conductor; related artists James Corden, Craig Ferguson and Woody Allen. "I" had a lot of followers though, hahahaha. So, now that I have my own profile, I'm down to 0 followers/listeners! So please come by, have a listen to a track or two and please follow me. You may be asked to create an account. It's free. With a free account, you have to listen to annoying very loud ads every couple of tunes, but I appreciate your support to get me visible in the thick of contemporary music tracks there. Thanks! Here's the link.
A multicultural creation of live music (erhu/Chinese violin, zheng/Chinese zither, vocals, percussion) and multimedia animated visuals that tell ancient astrological stories from Asia, Greece, and the First Nations. East meets West, and traditional cultures meet technology. Premieres of music by Oliver, Lan Tung and Stefan Smulovitz.
Vancouver tickets, in person at Norman Rothstein Theatre (950 W 41st Ave. Vancouver), by phone 604-257-5111, or online http://musicoftheheavens.bpt.me/ $20 regular, $15 students/seniors/children
“Could I ask you to explain the music of heaven for me?” “Sounding the ten thousand things differently, so each becomes itself according to itself alone—who could make such music?” — Chuang Tzu (369-286 BCE)
Come hear me create edgy soundscape improvisations with Vancouver clarinetist and composer François Houle this coming Wednesday night November 15, 9pm at the China Cloud, 524 Main St. Vancouver. Pictured is my instrument of choice! More info
Honoured and pleased with the standing ovation we received Monday night (Nov.5) at the Vancouver Symphony Orchestra world premiere of PRESSED FOR TIME by Mohamed Assani and myself, performed with Mohamed on sitar and his longtime colleague Shabaz Hussain on tabla (pictured to my left and right respectively). We hope for a long life for this exciting and unique sitar concerto.
I have formed a new duo with Vancouver artist, singer and improviser Carol Sawyer. We've been developing our improvised music for voice and electronics on the theme of water for about a year, and we launched our project this past summer in a public performance at Access Gallery in Vancouver on June 22, 2017. To see an excerpt from the performance, with Carol improvising a song based on a poem "Raining Buckets" by Daphne Marlatt, go here.. Carol's visual art is part of a major exhibit at the Vancouver Art Gallery, a retrospective of The Natalie Brettschneider Archive, opening October 28. Learn more
I was guest composer at the Casalmaggiore International Music Festival this past July (Casalmaggiore, Italy). I attended the festival to hear a concert dedicated to my chamber music for strings and piano, spanning over three decades. The young musicians performed with conviction and passion after I led several coaching sessions with the them, with the help of faculty pianist Megumi Masaki and cellist Bo Peng. It was lovely to attend this classical music festival and hear some old favourites from the standard repertoire championed by these talented young musicians. Thanks to Meg and Bo and all these fine musicians!
John takes a bow with composer colleagues John Burge (his left), Vincent Ho (his left), and conductor Eric Paetkau, Saturday May 13, 2017 at the TCU Place, Saskatoon. This concert, titled O Canada, featured an opening fanfare (Élan) by Derek Charke, followed by a citizenship swearing-in ceremony, onstage. The first half ended with the brilliant percussion concerto by Vincent Ho called The Shaman, performed with exceptional style, grace, virtuosity, and intensity by SSO percussionist Bryan Allen. After intermission, the wonderful actor Carol Greyeyes narrated the story in Oliver's monumental and iconic work Raven Steals the Light, with the original art piece commissioned by Music in the Morning from Sto:lo artist Karl Harris hanging behind the orchestra. (Oliver can be seen in the photo wearing the matching vest.) Carol's storytelling, combined with the evocative playing of the Raven theme by SSO oboist Erin Brophey, made for a memorable rebirth of Oliver's newly-revised score, which was heard for the first time at this event. The concert ended with John Burge's work Four Seasons of the Canadian Flag. Bravo to all for creating a stunning evening!
Oliver conducted the Sound of Dragon Ensemble on March 9 at the Orpheum Annex: his own revised Consensus, arranged especially for the ensemble, and Vancouver composer Itamar Erez's Rikkud. On March 10, Vancouver cellist Bo Peng performed 3 Trains with Fei Dai at his faculty recital at Kwantlen Polytechnic University in Langley. And this past Saturday, cellist Marina Hasselberg performed my Re-act-ion for melody instrument and computer at the SONIC BOOM festival in Vancouver.
American violist Brett Deubner premiered my World Enigma 2 for solo viola at a private concert last week. Here's a link to the youtube video.
Paolo Bortolussi, flute, performed my "Birds of Paradise Lost" for flute and computer at the Western Canadian Music Awards Classical Music Showcase (organized by the Canadian Music Centre, Prairie Region) on Saturday afternoon October 15. (Composer performed on computer LIVE.) This is a shot from the dress rehearsal. (Thanks Benton!) It was a real pleasure to perform for the ample and appreciative audience at the Westminster United Church in Regina and to see old colleagues again and hear their music! Paolo's CD Israfel was nominated for classical album of the year, and my composition for classical composition of the year. Although neither of us won, we gave a stellar performance!
Plastic Ocean and Howl for François Houle and John Oliver duo. Premiere Nov. 15, China Cloud, Vancouver
Pressed for Time, a collaborative composition with Mohamed Assani for sitar, tabla, and full orchestra, premiered November 5, 2017 by the Vancouver Symphony Orchestra under the direction of maestro Bramwell Tovey; Shahbaz Hussain, tabla.
World Enigma 3 for (Chinese) sheng solo. Written for Vancouver musician Zhongxi Wu. Thanks to Zhongxi for the jianpu version!
Cool Take for computer musician. A suite of 7 pieces of cut-up jazz performed by the composer to a live audience.
Re-act-ion for one or more melodic instruments and computer
light ripple light for any melodic instrument and computer
Cool Cut for alto saxophone and chamber orchestra. Commissioned by Vancouver saxophonist Julia Nolan.
World Enigma 2 for solo cello (or viola) – commissioned by Richard Carswell
Flight 182 Meditations with Renée Saklikar, poet. A work for poet and computer processing
Shaking the Core for string quartet – commissioned by the Langley Community Music School
Scenes from an Intercultural Marriage for traditional Chinese Orchestra – commissioned by the Little Giant Chinese Orchestra
World Enigma 1 for erhu and piano for the PEP Project. – commissioned by Nicole Ge Li and Corey Hamm
Unity Songs for string quartet, electric guitar and sampled sounds. See Unitysong.net for details.
A song for Vancouver tenor Will George for voice, classical guitar and cello, based on If My Complaints Could Passions Move by 16th century composer John Dowland.